A studio. A short class. A ring you’ll actually wear.

Ondox Silver Class and Jewelry in Ubud is built around one simple idea: learn traditional Balinese silversmithing while you design your own piece and take it home. I like the small family-group setup (max 5 people) and the chance to work with 100% pure silver right in the Ceking area north of Ubud, steps from the rice terraces. One thing to plan for: you can create and finish your design, but the casting process isn’t included—the team handles that part.

What also makes this class feel worth your time is the way it’s scheduled. There are multiple daily start times, so you’re less likely to fight your calendar. And it’s not just a “watch and leave” workshop: you get real hands-on help, plus snacks and bottled water while you work.

Finally, I appreciate the community-minded angle. The operators describe setting aside profits to support village community management, so your souvenir purchase connects to something local, not just a showroom product.

Key things to know before you go

• Ceking rice-terrace location: you can walk out to the terraces after class
• Small group (max 5): more one-on-one guidance while you’re shaping the metal
• Design your own jewelry: ring, earrings, pendant, bracelet, and more
• Pure silver allowance included: the booking info lists included grams of silver, with extra available
• No shuttle included: you’ll need your own ride (Grab or Gojek type taxis work)
• Casting not included: you’ll work the steps you can control, while they manage casting

Ceking rice terraces and the Ondox studio setup

The class meets at Ondox silver class and jewelry Ubud, on Jl. Raya Tegallalang, Tegallalang, Kec. Tegallalang, Kabupaten Gianyar, Bali 80561. This matters because Ceking is not deep in the middle of central Ubud traffic, and that makes your day easier. You’re also near big sights, so the location is handy even if you stack plans.

The workshop itself is described as family-run and designed for small-group teaching. In practice, that usually means you’re not stuck in a noisy room with ten other people all doing the exact same thing. You’re given space to choose a design, ask questions, and get corrections while you work.

Your biggest “logistics” decision is transport. The class doesn’t include a shuttle, but the area is easy to reach using on-demand taxis like Gojek or Grab. That’s a comfort if you don’t want to coordinate with a driver for a short workshop, especially since the activity ends back at the meeting point.

One more practical note: if you’ve got design ideas, bring them. Several people talk about using reference pictures. Even if your concept is simple—like a basic ring shape with a small twist—having a visual helps the team steer you toward something doable within the time.

What you’ll make: rings, pendants, earrings, bracelets

This class is built around you creating your own Balinese-inspired silver jewelry. The options listed include rings, earrings, pendants, bracelets, and other pieces. The key is that you’re not just stamping a generic pattern. You’re designing a piece that fits your style.

The allowance of silver is central to planning. The provided info says you get pure silver (with a specific gram amount listed) and extra silver can be purchased. One part of the description highlights a silver amount, while another part of the pricing details lists the included quantity as 5 grams. Because that looks inconsistent, I’d treat it as “confirm what you’re receiving when you book.” The simplest approach is to ask the team ahead of time: how many grams is included for your selected session.

Why this matters: your design size depends on the silver you start with. A more complex ring or heavier bracelet will either require more silver or more simplification of the details. If you want something that looks delicate, you’ll usually be happier with a design that uses your starting metal allowance efficiently.

Also, you’re welcome to add gemstones, but only for an additional cost. That’s a good thing to know up front, because gemstone choices can quickly turn a “small workshop souvenir” into a bigger spend. If you’re budget-conscious, plan your ring first, then decide on stones later once you see the final shape.

Inside the 90-minute to 2-hour process (and the casting gap)

The class runs about 1.5 to 2 hours (the summary says about 2 hours). The pricing details mention that if the class goes longer than that, there’s an additional fee. So treat this as a compact, hands-on workshop, not a half-day experience.

Here’s how the experience is framed: you’ll be guided through making silver jewelry using manual steps. The information specifically calls out manual carving and a Balinese style, with instruction and support throughout your design build.

What you should know about the workflow is the casting process. The class description states you can create your own design except casting. That means:

• you will do the parts you can do hands-on during the session
• the team will handle casting-related steps that require their equipment and expertise

This is important for your expectations. Some classes promise you’ll do every step from start to finish. This one is more honest and, honestly, more practical. You’ll spend your time doing the parts that make your piece feel personal: shaping, carving, and finishing what you choose.

If you want a clean outcome, this is also where their teaching style shows up. Many people talk about getting step-by-step help so the ring comes out well, not scratched or warped. In a small class, that attention is exactly what you want. You’ll have time to adjust as you go, which is the difference between a “souvenir” and something that looks like jewelry.

Small-group teaching with Kedak and Komang

One of the strongest signals from the class experience is that it’s run by a husband-and-wife team with long experience in silver craftsmanship. Reviews name the instructors as Kedak and Komang, and the vibe comes across as patient and hands-on.

In small classes, you don’t just need someone to talk about tools. You need someone to watch your hands and catch little mistakes early—like uneven pressure, design alignment, or small details that affect how the piece holds its shape.

That’s why the class limits the group size. The data lists a maximum group size of 5 people, and the teaching focus is described as small-group attention. In the real world, that usually means fewer interruptions and more time correcting your technique.

People also mention the warm welcome: snacks and bottled water, and a friendly atmosphere. It sounds simple, but in a workshop, that hospitality keeps you comfortable while you concentrate. Jewelry-making can be surprisingly focus-heavy, especially when you’re trying to translate a design idea into metal.

There’s also a community feel. The business is described as family-run, and they talk about supporting local village economy and donating part of profits toward community management. If you like your souvenirs to have a human story—not just a product barcode—this is one of the better setups in Ubud.

Silver grams, extra costs, and gemstone add-ons

Let’s talk money in a clear way. The listed price is $30.56 per person, which includes instruction and a set amount of pure silver, plus snacks, bottled water, and free Wi‑Fi. There’s also a mobile ticket, which is useful if you don’t want printed paperwork.

Value-wise, the question isn’t only “Is it cheap?” It’s “Do I get enough material and guidance to make this worth the effort?” Most classes in this category offer the experience plus a small metal allowance. Here, the included silver is explicit, and extra silver is priced per gram.

Extra silver is listed at IDR 80,000 per gram. That means if you want a bolder design or larger ring, you can scale up, but you’ll see the cost add quickly. I’d treat extra silver like dessert: nice if you want it, not something you automatically need.

Gemstones are sold for an additional fee. The info doesn’t list gemstone pricing, so your best move is to browse in person during the session and decide only after you see how your metal piece looks first. If the ring shape isn’t right, stones can’t fix it. But if the design is solid, stones can turn the final piece into something that looks distinctly yours.

Finally, there’s a note on class length. If your session runs beyond the stated window, there’s an additional fee of 75,000. That’s not unusual for workshops, but it reinforces that you should aim to keep within the normal session time unless you and the team agree to extend.

How to fit it into a Ubud day without stress

Ondox is in Tegallalang / Ceking north of Ubud, and that’s the practical advantage: you can pair it with other nearby sights. Because you’re close to major attractions, this can slot into a travel day without pulling you into complicated routing.

Since the workshop doesn’t include shuttle, you’ll want to plan transport around your start time. Grab or Gojek-style taxis are the easiest option based on what’s described. You’ll also like that you return to the meeting point at the end, so you’re not scrambling for a “what now?” moment right after the class.

Timing matters for two reasons:

1) Jewelry classes run short, so you want to arrive on time and not rush your design decisions.

2) The most fun part happens right after: people say the studio is across from the rice terraces, so you can walk there after class and take photos while your ring is still fresh in your mind.

One easy strategy: schedule this at a moment in your trip when you can slow down for an hour or two. Don’t stack it between long rides and a major nighttime plan. You want time to enjoy the process and let your piece dry/finish properly as guided.

Price and value: what you’re really paying for

At $30.56, the ticket price feels low for what you get—especially because you’re not just observing. You get:

• instruction throughout
• access to tools and a guided workflow
• a guaranteed silver allowance (with extra available)
• snacks and bottled water
• free Wi‑Fi

The practical value is the “ownership” of the souvenir. A lot of Ubud craft experiences can feel like you’re buying something handmade somewhere else. Here, the point is that you shape the design with your own choices and work through the making steps during the session.

Also, the small group size changes the value. If there were ten people, instruction would be faster and less tailored. With a max of 5, you’re more likely to get corrections that improve the final look.

One consideration for your expectations: because casting isn’t included, you’re not doing every technical step yourself. But from a value standpoint, that can be better. It reduces the risk that your piece ends up incomplete or rushed due to equipment complexity.

If you’re deciding between a silver workshop and a generic shopping stop, this tends to win when you care about taking home something you can wear. A well-made ring or pendant becomes a “travel memory” you actually see every day.

Who should book Ondox (and who should skip)

You should book this class if:

• you want a hands-on souvenir and like learning by doing
• you prefer small-group attention over a big workshop factory
• you’re in the Ceking/Tegallalang area and want an activity that pairs with rice terrace sightseeing
• you want a genuine silver piece, not just a photo op

You might skip or choose a different option if:

• you’re expecting to do casting yourself as part of the class
• you want a very complicated design without considering the silver allowance and time limits
• you dislike planning around transport, since shuttle isn’t included

Should you book this Ubud silver class?

If your goal is a meaningful, wearable souvenir made in a relaxed setting, I think Ondox is an easy yes. The setup checks the boxes that matter: small group size, real teaching, and enough time to shape a personal ring or pendant. Add in the easy Ceking location and the chance to walk the rice terraces right after, and it’s hard to beat as an hour-and-a-half to two-hour activity.

My only caution is expectation-setting around the casting step and the silver amount. If you go in with a clear design idea (even a simple one), and you’re ready to top up silver or add gemstones only if the piece is already looking good, you’ll get the most value.

For most people, this is the kind of Ubud experience you’ll remember the next time you put on your ring.

FAQ

How long is the Ondox silver jewelry class?

The class is listed at about 2 hours, with the class duration described as roughly 1.5 to 2 hours. If the session runs longer, there is an additional fee.

What does the price include?

The class includes a set amount of pure silver (listed as 5 grams in the included details), instruction/guide time, local snacks, bottled water, and free Wi‑Fi. It also uses a mobile ticket.

Can I design my own ring or pendant?

Yes. You can create your own design and make pieces like rings, earrings, pendants, and bracelets with Balinese style guidance.

What part of jewelry-making is not included?

The casting process is not included in the class. The description says you can create your design except casting.

Are gemstones available?

Yes. The team sells local gemstones, and gemstones are available for an additional fee.

Can I buy more silver during the class?

Yes. Extra silver can be purchased at IDR 80,000 per gram.

Where is the meeting point?

Meet at Ondox silver class and jewelry Ubud, Jl. Raya Tegallalang, Tegallalang, Kec. Tegallalang, Kabupaten Gianyar, Bali 80561, Indonesia.

Do I need a shuttle to get there?

No shuttle is included. The location is described as easy to reach by online taxi services like Grab or Gojek.

How many people are in a class?

The class has a maximum group size of 5 people.

What if I need to cancel?

Cancellation is free up to 24 hours in advance for a full refund. If you cancel less than 24 hours before the start time, the amount paid is not refunded.